I have just realised that in all the busyness of last week I never wrote about my day in York on Thursday.
Joe had aranged that we meet my cousin Susan at the west door of the Minster at noon. I always think of York as being a very long way, and, of course, it used to be when you had to go miles round the end of the Humber and we lived eleven miles further away in Cleethorpes. Nowadays via the Humber Bridge it is just 57 miles: that is just over an hour to get there and another hour to find a parking space plus £12 for petrol, £5.40 for the bridge and £10 for the car park! There is a park and ride, but what time does it end for the day, and how long does the bus take? I could probably find this out, but not as a last minute decision on noticing the signs. I know that last time I looked it was only operational at the weekend or something equally daft.
Anyway, we met Sue at 12.05, which wasn't at all bad, and went for coffee. She then had to rush off for half-an-hour, so Joe and I strolled to Fairfax House and spent a very long time looking at the first room (the library) while she caught us up. Once again I was with my classic guide book (from the year it opened to the public) and one again nothing worth mentioning had changed. It is still a town house with a fascinating history, and the Terry furniture collection is still superb.
We then made our way to an art gallery almost next door where ther was a free exhibition. I recall that last time I went there I had rather liked most of what was on display. this time my reaction was very different. The main exhibit was a huge design on the floor made up of broken pots: not to my taste, but what really got to me was that the pots were archaeological finds. The high points (literally in that they stuck out from the rest) of this ‘quilt’ were flowers made up of the very recognisable handles of mediaeval greenware, which were surrounded by mosaics of broken grey and terracotta pots which – even to my untutored eye – clearly came from a wide range of periods.
Accompanying this display was a video in which the ‘artist’ smugly explained how much more meaning these pots had arranged into a thing of beauty (debateable point) than stored away in trays where nobody can see them. She was also cutting and breaking the shards to fit them into her pattern and (presumably) throwing away the offcuts.
It may be that once the pot remains have helped date the context in which they are found they are so commonplace that they no longer have much value, but surely as long as they are stored in trays properly categorised, they are a resource both for teaching and for later scholars to revisit the work of their predecessors and re-evaluate their conclusions in the light of improved knowledge and technology, and that once the context is lost the meaning and value are gone? Anyway, that’s what I think, but my knowledge of archaeology is predominantly the result of years of television viewing from Sir Mortimor Wheeler onwards.
After that high tea at a vegetarian restaurant - Sue and I shared a very nice cheese platter - and exchanged family news. her two oldest boys have graduated from Cambridge and Newcastle respectively with 2:1s and the next two have passed their A and AS levels with a respectable range of A to C grades and not too much effort. Maddie, the baby, is just about to embark on the first year of her GCSE course.
back to the Minster where we were just in time for evensong. As well as being something very worthwhile in its own right, it also saves making a fuss about being expected to pay to enter God's house, and having to go into all the quotations about money changers in the temple. But it something I feel strongly about, and I am quite pleased to learn that York Minster has made a loss since the charges were put on. Susan didn't join us as her parking time was abot to run out.
I am never quite certain what I feel about cathedral evensong - or, indeed, any other choral service. I don't like the exclusiveness of responses from the choir only. I am participating as part of the congregation, not merely listening as a member of an audience. (In the point of congregation participation I am deeply and modernly protestant to the extent that I am one of the people who always joins in with the Lord's Prayer at the beginning of BCP communion and keeps on joining in with all the prayers in which the congregation joins in the modern service whatever the BCP tradition: I am generally not alone in this.) Having said that, the adult mixed choir was very good, and the setting was unfamiliar to me.
On Sunday it was Morning Prayer at Nettleton which was completely different - wholly spoken apart from the hymns, and in modern language. (By the way, why the Nicene Creed rather than the Apostles' Creed nowadays?)
On Friday I had half-a-dozen of my colleagues and ex-colleagues round for tea. The original plan was to have a day out for the whole of museum education, but too many ppeople were otherwise engaged (mainly on holiday) so that is postponed until we are all back/less busy. That too was a very pleasant sociable afternoon.